TAIZÉ | PART 1

For the next four weeks, I will be reflecting on my visit to Taizé in 2016. Even five years later, my heart remains warm and tender, and I still treasure the lessons learned from Taizé. I decided to capture it in writing. Below is part 1 of 4.

The Bells of Taizé

One of my spiritual disciplines is walking. I walk to listen. I listen to music, podcasts, poems, Scriptures, birds, myself, God, etc. I walk to see. I see what I can see with my bare eyes, and I see what I cannot see with my bare eyes. While walking, I realize it is hard to lift my eyes up to see the sky, which serves as an appropriate reminder to “lift up” my eyes to see beyond what is right in front of me.

Occasionally as I listen to music on my Spotify, a Taizé song or two would pop up, as I have a large selection of Taizé worship songs. Recently, I noticed that my heart was being more tenderly drawn to Taizé music, thus prompting me to reflect on the time my wife and I visited the Taizé community in France. I have verbally shared my experience in Taizé with multiple audiences in the past, but I realize that I have not written about it. I now take the opportunity in my blog to reminisce and reflect.

It was in the fall of 2016, right around the election that made Trump the US president. I was given a precious one month-long sabbatical right in the middle of my leadership responsibilities. The board of the organization I was serving graciously dug into their own pockets to essentially cover all our sabbatical expenses. By then, I was running on fumes and knew that I was burned out. However, I had fooled myself by telling myself and others that I was "close to being burned out." In most cases, I can surmise near-burn out almost always signals full-blown burnout. I was no exception. 

I knew how I wanted to spend my sabbatical: visit the Taizé community in Burgundy province, France. I had heard and read about Taizé and wanted to experience the community firsthand. We also were introduced to a bed and breakfast in Brittany, France, run by a Methodist missionary couple. The couple converted a 450-year-old farmhouse to a beautiful bed and breakfast. I had also long wished to explore and soak in the museums in Paris with my bride, not to mention all the croissants, baguettes, pain aux raisins escargot, Éclairs, etc. that I could eat to my heart’s content! So we had a plan.

The Taizé community was founded by Brother Roger, a reformed Protestant minister in Switzerland, who asked God to send him to the neediest place right in the middle of World War II. Brother Roger yearned to see a different expression of the Christian tradition and wanted to do something about it. Having discerned that a podunk village called Taizé was the place, as Taizé had become a place of haven for refugees fleeing the war, Brother Roger settled down. By 1949, along with a few who came with Brother Roger, the Taizé community comprised of 7 brothers from both Protestant and Catholic traditions. By the 1960s, young people (mainly from Europe), hearing about the community, began flocking to the small provincial town. It did not take long for Brother Roger to demolish the four walls of the sanctuary to accommodate the young people that were growing in number. 

At present, they have about 100 brothers representing some 30 countries. Today, the Taizé community has become one of the major Christian pilgrimage sites in the world, drawing more than 100,000 each year, the vast majority of them being young people in their late teens and 20s. During the summer months, there is a fresh batch of pilgrims of 7,000 each week (from Sunday to Sunday) who camp outdoors. Unless you stay for an additional week of silence retreat or you serve as a volunteer, no one can stay beyond one week. Additionally, I knew from history that there were many Muslims, Buddhists, Hindus, and self-proclaimed atheists who spent time in Taizé. Archbishop Desmond Tutu was a friend of Taizé. One random piece of trivia would be that I was told that Taizé has the 2nd largest kitchen facility in France, next to a French army base. 

We arrived in the middle of November for a 3 nights and 4 days stay after circling around for seemingly a million roundabouts from Paris in a manual shift mini-Citroën SUV. Although I was grumbling through almost every single roundabout, by the time we arrived in Taizé, I had become somewhat of an expert. (Later, back in US, I grumbled about why US does not have roundabouts. I suppose France converted me.) Roundabouts are all about what Koreans refer to as “nunchi" (literally translated as eye power but essentially an embodied skill set of relating to others and navigating life in high context cultures.) I thought to myself, being a Korean has practical benefits of driving in France! Stopping by the picturesque Abbey of Fontenay, a monastery founded by Saint Bernard of Clairvaux in 1118, perhaps prepared our hearts for what was to come in Taizé. Young people flocked to join the reform-minded Cistercian Order founded by Saint Bernard in the Middle Ages. (The French-born Thomas Merton, who had become a mentor of mine in writing, was also a Cistercian monk.) Now we were about to witness why young people were flocking to Taizé centuries later. I could not ignore the parallels. . . 

My faithful mini-Citroën and the Abbey of Fontenay

LOVE AFTER LOVE

As we bid farewell to another tumultuous year of pandemic, or for that matter any other “normal” year, this is an apt poem to mull over life. Or more precisely my life. . . Life that can only be lived and experienced by me. . . Again I offer to you with no comments of mine.

What words or phrases are highlighted for you today? Ask yourself why. And listen for God’s invitation and discern your response back to God. Thanks for reflecting along with me.

A big thank you also for reading and interacting with my blog during this year. A good number of you emailed, commented, texted, and shared with me in person what resonated with you. Your kind words have been deeply encouraging and affirming. I’ve decided to write for another year (my 3rd) as I realize that it is a good discipline and outlet for me.

The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other's welcome,

and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.

Derek Walcott

PRAYING

This week’s poem is titled Praying by Mary Oliver. This short poem is a gem that has illuminated my prayer life uncomplicated and some ways more effortless and deeper. What does this poem illuminate in you?

It doesn’t have to be
the blue iris, it could be
weeds in a vacant lot, or a few
small stones; just
pay attention, then patch

a few words together and don’t try
to make them elaborate, this isn’t
a contest but the doorway

into thanks, and a silence in which
another voice may speak.

Mary Oliver, Thirst

THE GREAT AFFAIR

To read is to interpret. We read as we are based on our unique experiences of life. In this vein, reading is sacred for we discipline ourselves to bring ourselves fully.

To read is also to imagine. When reading, nobody thinks two-dimensionally. We all bring our imagination: images, colors, background music, scenes, smell, etc.

We interpret and imagine in order to make connections in our own lives and to give meaning. it is an exercise of self-love, I would observe.

I invite you to read the poem below as we will this week and the next two. No need to doubt whether you are “interpreting” correctly. As BTS sings “Permission to Dance,” may I grant you permission to interpret and imagine?

The great affair, the love affair with life,
is to live as variously as possible,
to groom one's curiosity like a high-spirited thoroughbred,
climb aboard, and gallop over the thick, sun-struck hills every day.

Where there is no risk, the emotional terrain is flat and unyielding,
and, despite all its dimensions, valleys, pinnacles, and detours,
life will seem to have none of its magnificent geography, only a length.

It began in mystery, and it will end in mystery,
but what a savage and beautiful country lies in between.

Diane Ackerman

THE VISITOR

This week, I would like to share with you a Korean poem. A special treat for Korean speaking readers. Don’t’ worry if you don’t read Korean. I attempt to provide you with my own translation into English. I know it is extremely tricky to translate a poem from another language. Consider this more of a paraphrase than an actual translation. Hopefully I have not butchered the poet’s original meaning. 

방문객

정현종

사람이 온다는 건
실은 어마어마한 일이다.
그는
그의 과거와
현재와
그리고
그의 미래와 함께 오기 때문이다.
한 사람의 일생이 오기 때문이다.
부서지기 쉬운
그래서 부서지기도 했을
마음이 오는 것이다---그 갈피를
아마 바람은 더듬어볼 수 있을
마음.
내 마음이 그런 바람을 흉내낸다면
필경 환대가 될 것이다.

The Visitor by Hyun Jong Jung

The event of another human being coming to visit me 
is quite an astonishing endeavor.
It is precisely because the person arrives with all of
one’s past
present
and future.
Because the person arrives with one’s entire life.
The person arrives with the fragility of one’s heart
and thus, could have been heartbroken.  The lostness of one’s soul
can perhaps be caressed by wind.
If I who welcome can imitate the gentle caress of the wind, 
it will undoubtedly be hospitality.


I love the gentle and almost coy tone of this poem. Yet it is bold and transparent at the same time. The topic of being visited by visitors is something we all can relate to as human beings, sometimes welcomingly and sometimes grudgingly, and sometimes numbingly. 

The visitor is who one is because of one’s past, present, and future that will be carved out. This entire person with one’s whole package of life is sacred and weighty (literally means glory in the Old Testament language). This poem beckons honor and generosity, granting the healthy benefit of the doubt to those who visit us. 

There is brokenness and thus tenderness in all of us. Some don’t want to admit there is brokenness in their life for multiple reasons. I would press the point that the sooner we accept our brokenness, the sooner we will experience grace. “There is a crack, a crack in everything. That’s how the light gets in,” sings Leonard Cohen in Anthem. And sooner we embrace our own brokenness, the better we are able to embrace others’ brokenness. No solidarity is as strong and powerful as the bond of accepted brokenness as human beings, it seems. 

Our life is sacred and weighty because we are broken. Our brokenness is a highway in discovering the very sacredness of our life. 

Wind can be many things. The unpredictable and free nature of wind is what makes wind wind. It can also be soothing. I can vividly remember sitting outside on our back deck during a sabbatical in the mornings, while the sun was warm, sometimes I could feel the gentle cool breeze rising from the ground and I would quietly whisper “Aaahhhh.” Coupled with Thomas Merton’s journal in one hand and warm coffee in the other hand, when the cool breeze visited me at the time of my heart’s consent with Merton’s words, I had likened it to be the intimate visitation from the Lord that morning. 

How does one imitate wind? Today, I imagine wind as dancing. A kind of dancing that is non-intrusive but cuddly, embracing, and befriending. . . Ultimately inviting others to join in the dance. . . 

Hospitality is brokenness befriending brokenness in a non-judgmental and safe space where reciprocal healing and restoration of our soul take place. And we will all be appropriately warmed or cooled by the wind of hospitality. 

AFTER THE GOOSE THAT ROSE LIKE THE GOD OF GEESE

This week’s poem is titled, After the Goose That Rose Like the God of Geese, by Martin Espada. Strange title indeed, but this poem remained with me for days after first reading it. As you will see, it also has to do with bread, continuing the theme from last week. Again, I invite you to ponder along with me. Here it is below.

Everything that lives is Holy.      

—William Blake

 

After the phone call about my father far away,
after the next-day flight canceled by the blizzard,
after the last words left unsaid between us,
after the harvest of the organs at the morgue,
after the mortuary and cremation of the body,
after the box of ashes shipped to my door by mail,
after the memorial service for him in Brooklyn,

I said: I want to feed the birds, I want to feed bread
to the birds. I want to feed bread to the birds at the park.

After the walk around the pond and the war memorial,
after the signs at every step that read: Do Not Feed The Geese,
after the goose that rose from the water like the god of geese,
after the goose that shrieked like a demon from the hell of geese,
after the goose that scattered the creatures smaller than geese,
after the hard beak, the wild mouth taking bread from my hand,

 there was quiet in my head, no cacophony of the dead
lost in the catacombs, no mosquito hum of condolences,
only the next offering of bread raised up in my open hand,
the bread warm on the table of my truce with the world.


This poem starts out with an epigraph from William Blake. This sentence alone is worth a page or two to unpack which I will not do here, but it sets the context for Espada’s poem. One thing we are invited to consider is why Espada included this epigraph in his poem.

This poem is divided into 4 stanzas: 1st and 3rd stanzas are couched under “afters” which is a collection of reminiscent memories of what happened in two events; 2nd short stanza is the connection that explains how he got from his 1st stanza to the 3rd stanza. The final stanza reads almost like a quiet but resolute awakening of sorts.

The first stanza of “after” is filled with grief, a mishap, a hint of regret, and a series of actions that were needed to bring some semblance of closure to his father’s passing. I sense almost numbing words being spoken without emotional awareness or connections.

Then the italicized stanza by the author of “I want to-s.” The “I want to-s” grow in impulsive crescendo, moving from vaguer “I want to” to more specific “I want to.” (I wonder if the author thought, “what the heck?” and was tempted to ignore the seed of the original impulse.) What was initially spoken is random impulsion that the author not only thought about but said to himself. We all think about all kinds of stuff all day long. I certainly do. But to declare to oneself requires certain conviction and inner resoluteness. And the most impressive thing about this is that the author takes it seriously enough to build specificity and to do something about what the author said to himself. One invitation here for me to consider is: What do I want to do? Are there some specificities to what I want to do? Not to over-spiritualize things here but I see a correlation with one of Jesus’ questions: What do you want me to do for you? I would observe that as I pursue Christ in me and me in Christ, these two questions become one. And there is no separation between what I want to do and what I would ask Jesus to do for me.

The 3rd stanza is an action taken after the “I want to.” One line that caught my eye this time is “after the signs at every step that read: Do Not Feed The Geese.” There are bureaucratic systems and structures in place that discourage and attempt to put a stop to what we want to do. Sometimes, we must break rules to pursue after what we want to do or to say it slightly differently, what God has called us to do. The author ignores the signs at every step to continue feeding the birds.


My incomplete and ongoing version goes something like this. . .

After I had grown weary and worn out by leadership burdens and responsibilities,

After my long-awaited yearlong sabbatical began,

After Kobe and my father died within a span of month,

After the pandemic emerged as a once-in-a-lifetime global pandemic,

After discovering a heaven-sent rhythm of rest and renewal,

After experiencing death, deconstruction, and a newfound desire,

I said: I want to communicate. I want to communicate by writing. I want to write a blog. I want to write a book for God-seeking Korean-speaking people.

“My 3rd stanza” is currently unfolding but the “Do Not Feed The Geese” signs are visible everywhere I turn. There are more than enough signs that tell me what I should or should not say or write. Most of these signs are stemming from the traditional evangelicalism box both in theology as well as in missiological practices. I am learning how to break rules properly and address issues that are foundational and existential in nature based on my life’s journey.


Then the 4th stanza of unexpected realization set in, “quiet in my head.” All noises, both external and internal, dissipated. What was left with the “after-s” “was only the next offering of bread.” It is as if the world stopped, and the author finally was able to “see” what was plainly in front of him. What started out with grief followed by random impulse and subsequent action ended with the realization of the now. Everything melted away, and the author embraced what was the author’s truce with the world.

ALL BREAD

I shared last week in one of the prompts and practices encouraging you to read poetry. Speaking of which, in the next few weeks, I would like to share a few poems that I have reflected on this year, including a brief reflective commentary. As I have done, I would like to invite you to do the same. Nobody reads and interprets the same poem with undifferentiated musings and feelings. Who you are and where you are in life dictates myriads of interpretations. In a way, how you read poems reveals more of who and where you are in life’s journey. As such, I bare what I am processing in the context of my life and reality in these posts. 

The first poem I would like to share is a poem by Margaret Atwood titled All Bread. Here it is below. 

All Bread by Margaret Atwood

All bread is made of wood,
cow dung, packed brown moss,
the bodies of dead animals, the teeth
and backbones, what is left
after the ravens. This dirt
flows through the stems into the grain,
into the arm, nine strokes
of the axe, skin from a tree,
good water which is the first
gift, four hours.

Live burial under a moist cloth,
a silver dish, the row
of white famine bellies
swollen and taut in the oven,
lungfuls of warm breath stopped
in the heat from an old sun.

Good bread has the salt taste
of your hands after nine
strokes of the axe, the salt
taste of your mouth, it smells
of its own small death, of the deaths
before and after.

Lift these ashes
into your mouth, your blood;
to know what you devour
is to consecrate it,
almost. All bread must be broken
so it can be shared. Together
we eat this earth.


I find this poem profoundly spiritual; it captures the unending cycle of life and death (death and life, if you like) which is nature at work, which we are part of. . . Simple staple of food like bread (or rice or corn) arrives at our mouths as a culmination from many deaths. Many had to die in order to nourish us and give us life. There is such beauty of irony and the pinnacle of contradiction (this may be the grandest contradictions of all) here. 

I like the notion of “four hours.” Bread making is slow, even if it is produced in mass. I remember a French chef telling me that in America, consumerism drives bread making. In France, bread making is part of its culture. Even as I write this, I am reminded of bringing a warm freshly baked baguette from a local bakery to where we were staying in Paris, years ago. I likened the notion of “four hours” to be a subtle invitation to meditate on how bread comes to us, with deaths and the “first gift,” good water. It is also an invitation to not fast track or speed up the natural process of bread making or if you like, life making. We are who we are because of many deaths before us. We live because “others” died. There simply is no other way, it seems.

There is poignant reminder of “the row of white famine bellies swollen” as we see the bread rising in the oven. As we fill our bellies, we are reminded to those of famine bellies. It is a stark reminder of those who are experiencing dire poverty and under-privileged. Later, the author talks about “All bread must be broken so it can be shared.” 

Eating bread is almost an act of holy consecration as we are reminded of many deaths before and after. The last few lines of Mayr Oliver’s poem, Fall Song, echoes the same spiritual truth, “everything lives, shifting from one bright vision to another, forever in these momentary pastures.”

“Together, we eat this earth” is a call toward solidarity for all humanity, as well as an invitation to take what is given daily to us with great reverence and humility. Holiness can be accessed and experienced in mundane contexts in everyday life.

PROMPTS & PRACTICES | EMBRACE NON-DUALISTIC THINKING AND APPROACH TO LIFE

This week’s post will be the last of the prompts & practices series. Thanks for reading and reflecting with me on these.

This non-dualistic way of life is probably the most challenging way of life for modern people as we need to unlearn what we have been taught to believe. This “both-and” approach to life requires holding both good and bad, sacred and profane, and life and death.

Practically speaking, learn to hold both positive and negative emotions together without judgment or comments. Learn also to give compassion and the benefit of the doubt to others as both you and others may be right. Learn to find God, yourself, and others amid contradictions, tensions, and uncertainties.

 

Practices

  • Read poetry. While words are inherently dualistic, poetry has the capacity to hold contradictions together without judgment. Invite yourself as the poet (I), the one the poet is addressing (you), or just an observer. Allow yourself to interpret the poetry with your subjective lens.

  • Go to an art museum. Find a painting (or sculpture) or two that resonate with your soul at the time. Ask yourself why you may be drawn to the painting.

  • When you listen to your friend’s story next time or witness an event that catches your eye, try not to rush into judgment. Receive them as they are without needing to correct, confront, or advise.